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Maleficent | starring Angelina Jolie as the evil fairy from Sleeping Beauty telling her side of the story, is released, Samantha Ellis examines how giving marginalised characters a voice makes familiar tales far more powerful
Maleficent | Best Hollywood HD | Hollywood |
If, like me, you grew up on Disney’s 1959 animated film of Sleeping Beauty, then Angelina Jolie is about to bring your childhood nightmare to life. Her new film, Maleficent, tells the story from the perspective of the wicked fairy, with Jolie styled and prostheticised to look more unearthly than ever, all horns, green fire, jet-black robes, high collars and razor-sharp cheekbones.
Maleficent | Best Hollywood HD | Hollywood |
She cackles, croons menacingly and drips venom with every word she speaks. She is perfectly, precisely like the animated villainess who scared the living daylights out of all of us – only more so. From what I’ve seen, Maleficent is deliciously dark.
Maleficent | Best Hollywood HD | Hollywood |
Maleficent feels subversive, the way that all perspective flips should be. Switching heroes and villains can put everything in question, from what really is “good” or “bad”, to where our loyalties really lie. I’ve always found Sleeping Beauty tricky,
Maleficent | Best Hollywood HD | Hollywood |
because while Aurora is obviously the heroine, she’s also boring. Do I want to spend my life charming forest creatures by trilling the same syrupy song over and over? Or would I rather be a gatecrasher who curses anyone who doesn’t invite me to their party? I can see Maleficent’s point. Maleficent goes to the party if she wants to. She gets revenge.
